๐๐ ๐ฏ๐ถ๐ป ๐ช๐ถ๐ฝ๐ฌ๐น ๐น๐ฌ๐ฝ๐ฌ๐จ๐ณ ๐ ๐
๐ ๐ฉ๐ฒ๐ฟ๐ ๐๐ฟ๐ถ๐ฒ๐ป๐ฑ๐น๐ ๐ฉ๐ฎ๐น๐ฒ๐ป๐๐ถ๐ป๐ฒ’๐ ๐๐ฎ๐ ๐ฏ๐ ๐๐ฎ๐๐น๐ฒ๐ ๐๐ผ๐ฟ๐ถ๐ป๐ด ๐ถ๐ ๐ฐ๐ผ๐บ๐ถ๐ป๐ด ๐๐ผ ๐๐ถ๐ป๐ฑ๐น๐ฒ ๐จ๐ป๐น๐ถ๐บ๐ถ๐๐ฒ๐ฑ ๐ผ๐ป ๐๐ฎ๐ป๐๐ฎ๐ฟ๐ ๐ญ๐ฐ๐๐ต! ๐๐ฒ๐ ๐ฟ๐ฒ๐ฎ๐ฑ๐ ๐๐ผ ๐ณ๐ฎ๐น๐น ๐ถ๐ป ๐น๐ผ๐๐ฒ! ๐ฃ๐ฟ๐ฒ-๐ผ๐ฟ๐ฑ๐ฒ๐ฟ ๐๐ผ๐ฑ๐ฎ๐!
Cover design: Kari March Designs
Photographer: miquelanxo
Cover model: Sergio Carvajal
https://www.instagram.com/sergiocarvajal7/
@sergiocarvajal7
Audiobook releases in February, narrated by Connor Crais and Mackenzie Cartwright, featuring Dane Anderson
BLURB
EDDIE: Cancel your dinky little roomette on the train. Iโm booking us two of the big bedroom suites.
BIRDIE: Iโll cancel it AFTER youโve booked the other sleeper rooms. And reimburse you.
EDDIE: Donโt worry about it. Just cancel your tickets. I got this. Round trip. Iโm on the Amtrak website right now.
BIRDIE: You donโt have to leave NYC when I do! Youโll hardly be able to spend any time with your Instagram girlfriend that you’ve never met!
EDDIE: Itโs fine. Sheโll be fine with it. Cancel your tickets.
BIRDIE: You arenโt going to stop texting me until Iโve canceled them, are you?
EDDIE: Damn right Iโm not. Just do it. You can thank me later.
***
EDDIE: Um. Did you cancel your tickets?
BIRDIE: Yes, Edward. I canceled them.
EDDIE: Okay, because it turns out they only had one Family Bedroom from LA to Chicago. But the good news is I booked it for us. Itโs the biggest room they had. The bad news is I booked it for us. And itโs the only sleeper room they have left now.
EDDIE: In related news, there was also only one room left from Chicago to New York.
EDDIE: Hands up if youโre excited! *man raising hand emoji*
BIRDIE: I am so mad at you right now.
***
BIRDIE: Iโve compiled a list of ground rules re shared train bedroom. Check your email, please read carefully, and refer to it again on the ninth of February. Thank you.
EDDIE: *nerd face emoji* Received. I have some notes.
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TEASER
ABOUT THE AUTHOR
Before writing steamy romantic comedy novels, Kayley Loring got a BFA in creative writing from a Canadian university and had a fifteen-year career as a screenwriter in Los Angeles (under a different name). She mostly wrote PG-13 family comedies that studios would pay her lots of money for and then never make into movies. In 2017 she decided to move to the Pacific Northwest and write about all the fun stuff that she wasn’t allowed to write about in those PG-13 scripts. Now sheโs breathing cleaner air and writing dirtier words. Itโs an adjustment sheโs happily getting used to.
AUTHOR LINKS
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